
I have just finished writing an article on crime novel author Elmore Leonard's top ten writing tips, tips which I discovered, and here comes that word again, quite
serendipitously after stumbling across a page about George Orwell on the same site. Now I should admit to raving fans of
Get Shorty or
Maximum Bob that I have never actually read a novel by Elmore Leonard—I had never heard of the man until a couple of days ago; yet don't take that as a conscious or unconscious slight on my part—he sounds like the ideal paperback companion for a round-the-world plane trip, which here in New Zealand is the only way to get absolutely anywhere. On the plus side to my wavering credibility, I can admit to having seen several of his film adaptations, incidentally the same adaptations he also recommends:
Get Shorty wasn't bad, although I can tell my attention began to wander by the fact that I can remember nothing from halfway through;
Jackie Brown was an entirely regrettable experience, and the last time I take advice from a co-worker about films to watch;
Out of Sight however was quite the opposite—and further backs my without hesitation recommendation of every title
Steven Soderbergh has ever made—although by way of disclaimer: take the age of any film and the year that I watched it, and you'll end up with some sort of formula as to the reliability of my opinion on it; I have at times been severely embarrassed recommending
films that I liked a very, very long time ago. So if my opinions on films are at times a little suspect, what exactly would I know about contemporary America's best-selling crime novelist—also a ‘genre’ writer respected for his technical ability? Not a lot, but I did like his main point of advice on writing: "If it sounds like writing, I rewrite it."