A Sensitivity to Things

The musical beginnings of British popular artist, vegetarian, practising Buddhist and master of 1980‘s synthesiser-pop Howard Jones were auspicious, although he probably didn’t recognise it at the time. A piano player and teacher from an early age, he was involved in a car accident which left him injured. One of his students—and later wife—Jan Smith, who was in the vehicle at the time, claimed compensation on his behalf, and used the money to buy him a synthesiser—a Moog Prodigy. He was actually sent two by mistake, and liked their combination so much he paid for the second. Thus a synth-pop legend was born.

Howard Jones would appear initially on stage with a mime artist named Jed Hoile, performing improvised choreography whilst doused in white paint. It seems the world wasn’t yet ready for New Wave synth-mime, and Jones made the big time sans improvised mime artist—although Jed was brought back for a special 20th Anniversary retro set in 2003.

The mid-eighties saw a frenzy of albums and top 40 hits in both the UK and the US for this so called “respectable” face of pop, and the single Like To Get To Know You Well, an unofficial anthem to the Los Angeles Olympics, was huge around the world. Jones also had one of the best haircuts in the business, described by one authority as a peculiar early 80‘s combo of mop-top and dyed spikes.

Despite sudden fame, fortune and eight million albums sold, Jones remained true to his ideals, promoting strong feelings for animal rights and and against human excess. His first album, the platinum selling chart topping Human’s Lib, is both a reference in title to the animal liberation movement and the moksha of the Buddhist and Indian religions.

Look in better places gonna look inside
Gonna get higher something is pulling me on
Breaking down the old ways feeling no regret
Gone are the shaky sands Ive been building on
Hunt The Self

Jones’ second album, Dream into Action, also successful, continued a long-standing advocacy of vegetarianism, with the track Assault & Battery pulling no punches:

Children’s stories with their farmyard favourites
On the table in a different disguise

Another song from the album, Hunger For the Flesh, was a lyrical treatise on the Buddhist Noble Truths, Jones singing from the heart about karmic attachment and rebirth:

They came here for to dance
To learn and not to cling
Holding onto life
As if it were the important thing

Is There A Difference continues the album’s strong Eastern theme, lyrics based upon Chapter 20 of the Tao Te Ching (The Way of Life).

A former Christian, Jones was introduced to Buddhism by a friend and never looked back. A devotee of Nichiren Buddhism, a thousand year old Japanese off-shoot noted for it’s focus on the Lotus Sutra and the belief that realisation of the Buddha-nature is in the present life, he chants daily for an hour in the morning and thirty minutes at night.

Twenty years since the peak of his fame, Howard Jones continues his musical quest for enlightenment, releasing Revolution of the Heart in 2005 with a strong lyrical message for inner human change, or to quote the musician himself, “in fact a revolution of the heart.”

“No one subject is of more importance to people than a knowledge of the rules, usages and ceremonies of good society. To acquire a thorough knowledge of these matters and to put that knowledge into practice with perfect ease and self-complacency is what people call good breeding. To display an ignorance of them is to subject the offender to the opprobrium of being ill-bred.”
—John H. Young, Our Deportment, 1882.

I’m quite clearly an anachronism. I feel offended at the smallest breach of protocol or manner where others feel none, shaking my fist, invisibly of course, at people on the sidewalk who walk obliviously, more subtlety people in conversation who talk obliviously. It might be that I’m thin-skinned, kept in-doors or in cotton-wool too long as a child. Or it might be that others are thick-hearted, hardened to feelings and fineries too subtle to be perceived.

We’ve come a long way in recent years, and, too easily caught up in pounding tables, berating empty air over the ills of the now, one forgets that much of what was once commonplace now has no place. Racism, sexism, name your ’ism, all are absolutely excluded from polite conversation, more or less marginalised from marginal conversation as well. Our grandfathers may not have got along, but we their grandchildren work along side each other, and in doing so, more than likely get on.

On the surface, polite face of it we have levelled the playing field, opened the team sheet to all who want to play, but equal opportunities do not niceties equal, and in shaving manners of their beard and moustache, jettisoning ugly and prickly anachronisms at door like hat and cane, we’ve lost the art of consideration and of grace. To my thin-skinned way of thinking—perhaps over-thinking—we’re just not so nice about being nice.

Rosanne J. Thomas, founder of etiquette training company Protocol Advisors, and dubbed “Miss Manners on Wall Street,” pins the modern decline in manners firmly on the 1960s donkey, and while our long-haired, long-trousered parents are to blame, it’s not just because of their fondness for twenty minute guitar solos:

“Prior to that, families ate together at the dinner table. Manners were reinforced all the time—conversation, listening skills, dining skills, basic considerations, and even electronic manners in that you didn’t take telephone calls during the meal. But then people began not to eat together as much, and that’s when the basics were no longer taught.”

Manners may be dead in this modern age, but Japan at least is refusing to put a fork—or chop-stick—in their deceased carcass, forming a “manners police” to re-heat the fast cooling standards of public etiquette.

In a country where courtesy was once second nature—the learning of a multitude of mores literally a life-long apprenticeship; their breach a possible loss of life consequence—the elderly and pregnant are increasingly being left to stand on trains; a failure of manners perhaps commonplace elsewhere, but in Japan unimaginable until recently.

“It is impossible to mark the even and peaceable tenor of Japanese life, the politeness, industry, respect for superiors, and general air of cheerfulness and content, that pervades all classes, without admiration of the wise regulations which preserve such order amongst them as a people. Quarrels and blows are almost unknown in families; the husband is gentle, the wife exemplary and affectionate, and the children singularly obedient and reverent to their parents: yet ‘Spare the rod and spoil the child’ is a precept totally disregarded. The children are never beaten, nor do the parents allow themselves to lose their tempers in rebuking them, however great the provocation may be—one remarkable result of the complete self-abnegation inculcated by their social system.”
—J. M. W. Silver, Sketches of Japanese Manners and Customs, 1867

When I was school-aged—a time depressingly distant and fast becoming more so—giving up your seat for your elders was mandatory on public transport, but, occasional cranky pensioner aside, it was a practise of another age, seldom actually enforced.

Japan however expects respect and awareness of any age, in this very age, and to this end the Yokohama “Smile-Manner-Squadron” has been charged with bringing back the standards of “old Japan”—politely encouraging the young to give up their seats to those more needy on the city’s overcrowded trains.

While squadron members, the majority past their sixtieth birthday, have no legal powers, Yokohama hopes their high visibility—bright green uniforms de rigueur—will encourage a rising politeness. If not, the big stick of public shaming will be wielded, humiliation in hypersensitive Japan the recourse if seats are not voluntarily raised.

Should politeness provoke a reaction less than polite, older team members will be accompanied by a younger bodyguard, the Smile-Manner-Squadron operating in pairs and paying about US$15 a day. And unlimited train rides.

Why don’t Japanese young people give their seats to the aged? Nobuhiko Obayashi, 70 year-old author of “Why don’t young people give their seats to the aged?” has already asked the question, and answered it too—just like in the West parents are to blame, responsible for a generation in his words “too afraid to talk to one another.”

Not afraid to talk to another, Obayashi opined “Young people do not feel the need of having manners in their hearts,” and expressed a wish that the Smile-Manner-Squadron “will give people who are too shy a chance to communicate.”

And presumably once more claim a seat.

“The world was my oyster, but I used the wrong fork.”
—Oscar Wilde

Japanese Tradition: Shazai—Apology

English teachers is are everywheres, with ready red pens…